Reverted B-roll timing at v2
Restore v2
Cursor, for the cutting room
You still
direct the film.
The AI-native editing environment built for professional editors — full creative control over every cut, at the speed generative AI now makes possible.
PREVIEW
00:00:14:22
SC.04 · T2
SC.04 · T4
B-ROLL · DOCK
SC.05 · T1
Direction
"Tighten this section — keep Sarah's reaction."
Trimmed 3 pauses
Moved reaction shot earlier — 0.8s
Shortened B-roll — 2.1s
NET CHANGE
–6.2s
Illustrative — Komra concept, not a live product screen
Cut to:
what editors keep telling us
What we're hearing
Editors don't want a shortcut.
They want backup.
Months of conversations with editors, directors, and post teams — the same patterns keep surfacing.
Every project breaks the formula.
A wedding, a doc, a brand film — the formula changes every time. Editors don't trust a tool that can't recognize what's actually in front of it.
AI gets 90% there — then costs an afternoon fixing the rest.
If the manual pass takes as long as editing from scratch, nothing was actually saved.
My formula already gets it done in two days.
The bar isn't "faster than nothing" — it's faster than a professional who already knows what they're doing.
I don't want to lose control to get speed.
Every AI video tool trades one for the other. Editors want both — and won't settle for a tool that only gives them one.
Match cut to:
how we're building it differently
The approach
Not a prompt box.
A production.
Most AI video tools take a prompt and hand back a clip. Komra treats your project the way Cursor treats a codebase — holding the whole production in memory and proposing changes you can inspect, not silently regenerating your work.
- 01Persistent understanding of the whole production, not a single request
- 02Select a moment — change only that, frame by frame
- 03Routes each job to whichever model performs it best
- 04Every change is a proposal you can inspect, adjust, or undo
Positioning — control vs. speed, as we see the field
Smash cut to:
how it works, in practice
How it works
Direct in language.
Edit by hand. Both, anytime.
A closer look — conceptual previews of the mechanics, ahead of a public product.
scene_04.komra00:00:06:12
"Trim the pause before she turns."
Applied
Timeline-first
Ask for a change and Komra edits the real timeline — trims, swaps, moves cuts — not a new render to reconcile.
scene_08.komra00:00:02:04
Jacket · matched to SC.03
Select, then direct
Point at a face, a jacket, a five-second stretch. Change only that — everything else stays exactly as shot.
continuitySARAH
SC.03
matched
SC.08
Project memory
Tracks characters, locations, and prior decisions across the production — continuity carries itself forward.
historyv3
Inspectable, reversible
Every AI change is a proposal, not a fait accompli. See what changed, undo it, or take it further.
Dissolve to:
who this is built for
Built for
Professionals who already know how to make something good.
Komra isn't for someone making their first video. It's for editors and teams who already have a formula — and want to run it at a scale their calendar can't currently support.
Tell us about your workflow- 01Independent editors & post houses
carrying more client work than the week has hours for. - 02Documentary & branded content teams
managing hundreds of hours of footage against a hard deadline. - 03Creative & production agencies
running multiple concurrent cuts across clients. - 04AI-native filmmakers
already juggling a dozen generation tools and stitching results by hand.
Cut to:
the conversation
Early access
We're building this with editors, not just for them.
Komra is in active development with a small group of professional editors. Tell us where to reach you — we read every message ourselves.